Work categories:
Dark Factory Portraits Painters Palette Transforming Films Sculptures Chinese Whispers Dutch Golden Age - Flower Paintings Dutch Golden Age - Portraits Pixelated Paintings Neon Line Drawings Composite Portraits Light Paintings Neon Details Grid Pictures Spectrum Circles Luminograms Vertical Lines Colour Spirals Light Drawings Multi-Coloured Lines Neon Landscapes Mag Lights Coloured Light Projections Harmonographs Orbs Photographs Seascapes Icelandic Poppies Ben-Day Dot Postcard Details Painting Photographs Paint Pigment Photographs Paper Photograph Paper Travelling Still Photograms Yoga Photograms Diamond Photograms Touched Other Photograms Neon Works Neon Line Drawings Postcards from Vegas Neon Light Works Miscellaneous Sculptures Unconscious Paintings Public Perception of ColourDark Factory Portraits
30 July 2020 – 30 January 2021
5A Bathurst Street, London W2 2SD
Opening hours: Monday – Friday, 10 am – 6 pm; Saturday by appointment
After three years of research and collaboration, we’re delighted to announce Dark Factory Portraits — our most technically challenging and exciting project yet.
The Portraits came out of a series of 2013 reports on the future of work, suggesting that 35% of UK jobs were liable to be fully automated over the next two decades. It got us wondering what the odds on the obsolescence of artists might be (reassuringly, the research only gave us a 4% chance of having been automated out of existence by the 2030s).
There have been periodical panics about technology ever since the industrial revolution, not least of painting being superseded by photography and film. In practice, mechanisation and innovation have widened the creative field and presented new opportunities, rather than threats, to art and culture. So we weren’t too worried, but we decided to explore how far current technology can be pushed, and what it could achieve.
We’ve collaborated with a team of cutting edge software programmers and visual effects specialists, to see how far and how fast algorithms and moving parts could progress towards realising recognisable and psychologically engaging portraits. Over months of iterations, we’ve worked with the programmers to layer the code so that a robot can paint both loosely and to a very high level of detail where necessary, executing the portraits to a consistent style envisioned by us.
We’ve called them Dark Factory Portraits as a nod to the slightly eerie reality of ‘lights out manufacturing’, where factories can function in the dark because robotic systems don’t need to ‘see’ what they’re doing.
Please let us know if you’re interested in your own Dark Factory Portrait. Get in touch for complete details: studio@robandnick.com.
